issue 25 October 17, 2020 Stop Scheduling Emotional Appointments You know what your characters feel, but how can you get actors on the same page? In this week’s blog post we look at writing what characters feel in a way that helps an actor (and anyone else reading the script) understand what those emotions look like from the outside.
Inneresting 25
Inneresting 25
Inneresting 25
issue 25 October 17, 2020 Stop Scheduling Emotional Appointments You know what your characters feel, but how can you get actors on the same page? In this week’s blog post we look at writing what characters feel in a way that helps an actor (and anyone else reading the script) understand what those emotions look like from the outside.