This weekβs rebroadcast John remembers an ambiguous scene from real life, and how itβs not always easy to tell whoβs the protagonist (or if there is a good guy).
I went to Koo Koo Roo on Larchmont last night to grab dinner: half rotisserie chicken, cucumber salad, mixed veggies, to go.
While I was turning to go into the parking lot, I noticed a white SUV near the curb. It was bucking strangely. My first instinct was that the driver didnβt know how to use stick. Then I thought, maybe it was crazy custom low-rider shocks. But you really donβt see that on SUVβs, even on Pimp My Ride.
Then I saw that there was a man standing on the passenger side running board. It looked like he was strapping something down to the roof. That would explain why the car was shaking.
My curiosity satisfied, I parked.
When I came back around to the front of the restaurant, I noticed the SUV was still in roughly the same spot. The guy was still standing on the running board, but he wasnβt trying to attach anything. Rather, he had both hands on the roof rack, holding on tight while the SUVβs driver (a woman) tried to shake him off. Thatβs why the car was βbouncingβ earlier.
I stood at the door of Koo Koo Roo for about 10 seconds, trying to figure out what the hell was going on β and what, if anything, I should do. Hereβs roughly my thought process:
The womanβs on her cell phone. Sheβs in her late 20βs, maybe. Itβs hard to see inside the car.
The man is maybe 40. Latino. He keeps knocking on the windows.
She seems upset, but not terrified. Almost more annoyed. Sheβs not crying.
I wonder who sheβs talking to on the phone. A friend? The police?
He keeps saying (in English), βI need to talk to you.β
He seems really rational. But rational people donβt cling to moving vehicles.
She should drive to a police station. Thatβs what Iβd do.
Where is the nearest police station? I have no idea.
I donβt know if he knows her. Heβs not saying her name.
Heβs wearing white. Maybe a uniform. Maybe a parking attendant.
She should keep driving down Larchmont. Thereβs a ton of people, so if she really does need help, she can get it.
I bet heβs a parking attendant, and she drove off without paying.
Thereβs only one other spectator watching. That guy at the bus stop.
He was there when I pulled in, so he must have seen more of this. He probably knows whatβs going on.
If I got involved, maybe heβd back me up.
Sheβs trying to shake him off again.
The weirdest thing was how my perception of who was the βgood guyβ kept flipping back and forth, like one of those foreground-background optical illusions where you see either the Young Woman or the Old Crone but not both at the same time. Second by second, I thought, βsheβs in dangerβ or βheβs in danger.β
Heβd bang on the windows, so Iβd decide he was a threat. Then sheβd try to shake him off, and I was suddenly worried heβd fall to the pavement and get run over.
With both scenarios equally plausible, I decided Iβd cautiously approach and ask the man what was going on. With the right tone of voice, it wouldnβt sound like a direct threat. If he gave a reasonable answer, I could talk to him like a reasonable person. If he gave me a Crazy Man answer, Iβd know he was the problem, andβ¦well, I didnβt know what Iβd do, but at least Iβd know he was the bad guy.
Just as I stepped forward to move from Spectator to Participant in this drama, the SUV pulled around the corner onto Beverly, picking up considerable speed. The man seemed unfazed. I realized that itβs surprisingly easy to cling to an SUV. No one would consider clinging to my little Toyota.
The SUV took the first right turn, then disappeared from sight. I looked over to the guy at the bus stop, hoping for some gesture or nod that would reassure me that everything was okay, that neither of the two parties would end up harmed tonight.
Bus Stop Guy gave me nothinβ. He just turned back to the street, waiting for his ride.
At the Koo Koo Roo counter, John August Concerned Citizen slowly reverted into John August Screenwriter, as I tried to construct scenarios to explain what had just happened. The parking lot attendant theory made the most sense, because Iβve encountered some surprisingly zealous asphalt barons in Los Angeles. Would one really risk his life by clinging to the side of a car? Maybe.
But the other scenarios β Furious Boyfriend, Eerily Calm Stalker, Random Psycho β also seemed to fit.
After watching this scene unfold, I wasnβt even sure what βgenreβ it belonged in. If you put Will Ferrell in the guyβs role, clinging to the side of an SUV, then itβs a comedy. Hugh Grant, and itβs a romantic comedy.
As I was driving home a few minutes later, I kept mulling over the scene β though part of me was busier contemplating actors and their career choices. Sean Penn used to be funny, damn it. Cβmon, Spicoli!
I drove past the intersection where the SUV had turned, and glanced up the street out of idle curiosity.
The SUV was stopped there. The man was on the roof.
He was hugging the top of it like every action movie cliche, ankles dangling off the edge. The SUV wasnβt moving, but the guy seemed braced for doing 60 on the freeway.
By the time I spotted them, it was too late to make the turn. Instead, I hung three rights to circle around the block. It seemed to take forever. These were quiet residential streets β exactly the place you shouldnβt go if thereβs some random lunatic clinging onto your car. Also troubling: my stubborn parking lot attendant theory was making less sense by the moment. Whatever urban logic makes it reasonable for a guy making minimum wage to wrestle a car also dictates that at some point he gives up.
This guy wasnβt giving up.
As I turned the third right, I figured that the driver and I would now at least be adjacent. I could roll down my window and ask if she was okay, if she was in danger. I could do something. By now, it was obvious I should have done something back at Koo Koo Roo.
But when I got back to the corner, there was no SUV. While I was circling the block, she must have driven off, with the guy still presumably clinging to her roof-rack. They were gone, and I didnβt know which one to worry about.
Do you call the police in this situation? Do you just forget about it, and check the papers in the morning? I was left β I am left β with an unsettling lack of closure. Yes, I want to know that no oneβs hurt, but even more, I want to know what the hell I saw.
Was it funny or scary? Young Woman or Old Crone? I donβt know. Real life sucks that way.
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